Touches like Matthew's lasting, if turbulent, Catholic faith, gradual acceptance of change, and pursuit of biochemistry balance him into a character rather than just a swoonworthy mannequin. His past trauma also gives his regretful angst weight. Not even the most dignified of vampires is tame he's a hunter first and foremost, a legitimate threat to Diana if he so chose. His fictional Matthew is as sultry as he is feral. A darling of prestige indie films and television, as well as an Ozymandias ( Watchmen, 2009) so excellent that only Jeremy Irons ( Watchmen, 2019) could follow, Goode is normally a bit player rather than a lead. Matthew Goode, meanwhile, embodies all the tall, dark, and handsome qualities necessary for a moody vampire love interest. While informed by Harkness's experiences, Diana isn't a Mary Sue (which is a sexist critique, anyway).

She's believable and recognizable, whether it's her long hair constantly creeping out of its braid or the comfortable clothing she wears without concern. There's a healthy balance between some sweeping initial rescues on Matthew's part and Diana saving him in return. 'We protect each other.' Being a witch places them on an equal footing versus a vampire and a human woman, especially following a mid-season reveal concerning the extent of Diana's powers. 'You don't protect me,' she defiantly informs Matthew, in response to his frenzied desire to keep her safe. She's curious, attentive, doesn't lack tender playfulness, and is as fiery as her mythological namesake, the goddess of the hunt. Her ignorance surrounding witch culture is a willing lack of knowledge Diana is no naive, blushing innocent. For one, she's much older than a teenager, with a doctorate and published books under her belt. Although Discovery should stand separate from its young adult peers, there are times it's tricky to exorcise Stephanie Meyer comparisons from one's mind namely, Diana is the heroine supernatural fans dreamed of.

Witch and vampire